Director Park Chan-wook (“Oldboy”) made his English-language debut with “Stoker,” a beautifully shot, unsettling gothic coming-of-age tale. It could be his best work yet. Strong colors drip from every inch of the screen, and the strange family dynamic feels both melodramatically gorgeous and frighteningly inappropriate. Shane Carruth’s low-budget sci-fi “Primer” has grown in reverence since […]
